Bronze Age musical instruments made from human bone

Radiocarbon dating and CT scanning was used to examine bones from 4,500 years ago.

Bronze Age people kept human remains as relics and turned them into things like musical instruments, according to research.

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Academics said that while the findings may seem eerie or gruesome by today’s standards, they show a way of honouring and remembering the dead.

Radiocarbon dating and CT scanning was used to examine bones from 4,500 years ago and revealed a tradition of retaining and curating human remains as relics over several generations.

In one example from Wiltshire, a human thigh bone had been crafted to make a musical instrument and was included with the burial of a man found close to Stonehenge.

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The carefully carved and polished artefact was found with other items – including stone and bronze axes, a bone plate and a tusk – and is now displayed in the Wiltshire Museum. Radiocarbon dating of the instrument suggested it belonged to someone known to the person buried in the grave.

Professor Joanna Brück, the principal investigator for the study, said: “Although fragments of human bone were included as grave goods with the dead, they were also kept in the homes of the living, buried under house floors and even placed on display.

“This suggests that Bronze Age people did not view human remains with the sense of horror or disgust that we might feel today.”

A musical instrument crafted from a human femur © Wiltshire Museum/PA
A musical instrument crafted from a human femur © Wiltshire Museum/PA

Dr Thomas Booth and Prof Brück, who carried out the research at the University of Bristol, said that in modern secular societies human remains are seen as powerful objects, and this was also true of the Bronze Age.

“However, they treated and interacted with the dead in ways which are inconceivably macabre to us today,” Dr Booth said. “People seem to have curated the remains of people who had played an important role in their life or their communities, so they had a relic to remember and perhaps tell stories about them.”

They used a micro-CT scanner at the Natural History Museum to understand how the body was treated while it was decomposing.

A skeleton from Windmill Fields, Stockton-on-Tees © Tees Archaeology/PA
A skeleton from Windmill Fields, Stockton-on-Tees © Tees Archaeology/PA

“Some had been cremated before being split up, some bones were exhumed after burial, and some had been de-fleshed by being left to decompose on the ground,” Dr Booth said.

“This suggests that there was no established protocol for the treatment of bodies whose remains were destined to be curated, and the decisions and rites leading to the curation of their remains took place afterwards.”

There is already evidence that people living in Britain during the Bronze Age practised a range of funerary rites, including primary burial, excarnation, cremation and mummification. However, this research reveals the dead were encountered not just in a funerary context, but that human remains were regularly kept and circulated among the living.

Unique Pronged Bronze Object from the Wilsford G58 burial found alongside the human bone musical instrument © Wiltshire Museum, copyright University of Birmingham/David Bukachit
Unique Pronged Bronze Object from the Wilsford G58 burial found alongside the human bone musical instrument © Wiltshire Museum, copyright University of Birmingham/David Bukachit

Dr Booth said the findings may show how Bronze Age communities in Britain drew on memory and the past to create their own social identities.

“This study really highlights the strangeness and perhaps the unknowable nature of the distant past from a present-day perspective,” he said. “It seems the power of these human remains lay in the way they referenced tangible relationships between people in these communities and not as a way of connecting people with a distant mythical past.”

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The paper – Radiocarbon and histo-taphonomic evidence for the curation and excarnation of human remains in Bronze Age Britain – is published in the journal Antiquity.

Reader Q&A: What was Stonehenge made for?

Asked by: Amilie Kendal, age 10, Prestwich

We can’t know for sure because the people who built it didn’t leave any written records. But Stonehenge isn’t one thing. It is a sacred site that has been continually added to and rearranged for over 5,000 years. The earliest construction in 2900 BC was a circular bank and ditch, with an inner ring of large timber posts.

Three hundred years later, a ring of standing stones was added, using stones dragged from Wales, 240km away. Then a hundred years later, the ‘trilithons’ (standing stones with lintels) were added. Even after that, there is evidence that the arrangement of the stones changed several more times.

Like the O2 arena, or Trafalgar Square, Stonehenge was probably used for several purposes at the same time. It was a festival venue, temple, burial ground and astronomical calendar.

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